Portfolio
My portfolio highlights my growth as a writer, communicator, and creative thinker. Through essays, reviews, media projects, and research-based writing, I explore topics that connect storytelling, culture, technology, and personal perspective. Each piece reflects my goal of communicating with a clear voice, creative vision, and compelling purpose. Whether I am reviewing live music, examining the impact of AI on the music industry, or creating media for a class project, I want my work to connect with readers and show how thoughtful communication can inform, inspire, and engage an audience.
Opus 17
Opus 17 reflects on Frankie Valli’s lasting influence on pop music, his recent decision to step away from touring for health reasons, and the legacy he built as the frontman of The Four Seasons. The article combines music history, cultural impact, and a personal family connection to show how Valli’s voice, songs, and story continue to connect with generations of listeners.
Three Days Grace Concert Review
Three Days Grace Concert Review is a live music review covering the Alienation Tour’s first stop in Fort Wayne, Indiana, with supporting acts I Prevail and The Funeral Portrait. The piece reflects on the energy of the crowd, the emotional return of Adam Gontier, and the powerful connection between rock music, nostalgia, and live performance. It highlights how each band created a different atmosphere while showing why concerts continue to bring people together.
The Art of AI in Music
The Art of AI in Music explores how artificial intelligence is changing the music industry through production, songwriting, and copyright law. The paper looks at the history of music production, the rise of digital tools, and the growing impact of AI platforms that can generate lyrics, instrumentals, and realistic vocal performances. It also considers the ethical and legal questions surrounding AI-generated music while emphasizing that technology should support, not replace, human creativity.
